Allegro ma non tanto
Intermezzo (Adagio)
Finale (Alla Breve)
Vladimir Ashkenazy, Piano
London Symphony Orchestra
Conducted by André Previn
Original Recording
Recording Producers: Ray Minshull [Opp. 1, 30 & 43], Christopher Raeburn [Opp. 18 & 40]
Balance Engineers: James Lock [Op.43], Kenneth Wilkinson [Opp.1, 18, 30 & 40]
Recording Engineers: Colin Moorfoot [Op. 1], Tryggvi Tryggvason [Opp. 18, 30 & 40]
Recorded at the Kingsway Hall, London on March 25 & 26, 1970 [Op. 1], October 20-23, 1970 [Opp. 18 & 40], March 29-30, 1971 [Op.30], and November 29-30, 1971 [Op.43]
Allemanda
Double
Corrente
Double(Presto)
Sarabande
Double
Tempo di Borea
Double
Sonata No. 2 in A minor, BWV 1003
Grave
Fuga
Andante
Allegro
DISC 2 Partita No. 2 in D minor, BWV 1004
Allemanda
Corrente
Sarabanda
Giga
Ciaccona
Sonata No. 3 in C major, BWV 1005
Adagio
Fuga
Largo
Allegro assai
Partita No. 3 in E major, BWV 1006
Preludio
Loure
Gavotte en Rondeau
Menuet I
Menuet II
Bourrée
Gigue
Nathan Milstein, Violin
Tonmeister (Balance Engineer): Klaus Hiemann
Recording Engineers: Joachim Niss & Volker Martin
Recorded at the Conway Hall, London (Brent Town Hall), Wembley in February, April and September 1973
7. In quali eccessi – Mi tradi quell’alma ingrata (Donna Elvira, 2.Akt)
8. Crudele? – Non mi dir bell’idol mio (Donna Anna, 2.Akt)
Così fan tutte KV 588
9. Come scoglio (Fiordiligi, 1.Akt)
La clemenza di Tito KV 621
10. Non più di fiori vaghe catene (Vitellia, 2.Akt)
Lucia Popp, Soprano
Munich Radio Orchestra
Conducted by Leonard Slatkin
Made in co-production with Bavarian Radio
Producers: Theodor Molzinger & Gerd Berg
Recording Supervision: Christfried Bickenbach
Balance Engineer: Hans Schmid
Recorded at the Studio 1, Bavarian radio, Munich on June 15-19, 1983